PRINTS

Anna uses traditional printmaking methods including single and multiple plate copper etchings. She also uses soft and hard ground, aquatint and other techniques; all of which are used to produce the final image which is then hand printed on high quality paper.

ALL PRINTS ARE AVAILABLE EXCEPT WHEN MARKED WITH NFS: not for sale

CLICK on image to see full size

: Buddy’s Point-etching 2011

: “Lobster Season” 2 plate etching 2007

: “Twilight” 2 plate etching 2010

: “Cape Mabou” 2 plate etching 2002

: “Winter Evening Harbour Centre” 2 plate etching 2006

: “Deer” etching 2009

: “Harbour Centre” 2 plate etching 1996 NFS

: “Joe K’s” etching 2004

: “Winter Moon” 2 plate etching 2010

: “Briely Brook from the Wheel” 2 plate etching 2003

: “Mo Chridhe” “My Heart” etching 2008

: “Mahoneys Beach, 2am” 2 plate etching 2006

: “Turnips-and-Wheat” 2 plate etching 2109

: “Anghiari,Tuscany” etching 2009

: “Covered Bridge on the High Marsh Road” etching 2006

: “Johannes Sturm” etching 1999

: “Almost There” etching 2009

: “Kingsville” 2 plate etching 2002 NFS

SHOWS & GALLERIES ETC.

Kingston Prize Portrait Exhibition
Anna is one of 30 artists from across Canada to be selected for the national Kingston Prize Portrait Exhibition, now showing at the Royal Ontario Museum, Toronto. Her painting of her good neighbours Gerard and his father Joe Jack Will Chisholm is one of only two portraits from the Maritimes and will be part of her up-coming show "Old New Scotland", the date of which will be announced soon.

CBC's Information Morning calendar
Anna is also one of the four marquee artist who contributed one of their images and helped to select the remaining artists for CBC's Information Morning calendar "Sharing the View" now available at Sobey's stores NS. this CBC project is a fundraising project for Feed Nova Scotia- www.feednovascotia.ca

Artist Statement

The process of printmaking, in particular the intaglio technique, has always fascinated me. There is great adventure and satisfaction in wrestling with the most obstinate materials and indirect methods, in hoping and guessing what the results will be, and always being surprised by that first proof. I take it from that point, using multi-plates and multi-processes and eventually will come up with an image that works and is often better than the original intent.

As for intent-I work with what I find significant in the world around me and hope to pass it on.

Anna

Anna Syperek

Email: seabright@ns.sympatico.ca

Mail: P.O.Box 1801

Antigonish, N.S.
Canada - B2G 2M5

PRINTS

SHOWS & GALLERIES ETC.

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